The moral and ethical challenges of living in community pertain not only to the intersection of human beings one with another, but also our interactions with our machine creations. This article explores the philosophical and theological framework for reasoning and decision-making through the lens of science fiction, religion, and artificial intelligence (both real and imagined). In comparing the programming of autonomous machines with human ethical deliberation, we discover that both depend on a concrete ordering of priorities derived from a clearly (...) defined value system. (shrink)

Star Trek creator Gene Roddenberry's humanism is well known. While it may be that the inclusion of talk about gods reflected the interest in religion in his own time, the way that the show talked about gods reflects a humanist theology that's at least compatible with, and perhaps an expression of, Roddenberry's own vision. If the relationship of Star Trek to humanism has been unambiguous, its relationship to, and view of, posthumanism is less clear. Posthumanism can refer to the notion (...) that an all‐embracing ethos of the kind offered by humanism ought to be reconfigured to incorporate other beings besides terrestrial ones. If compassion is the defining attribute of a god, then Star Trek's humanist theology encourages not only to believe that divinity is a real possibility for humanity in the future, but also to recognize it as a possibility in the present. (shrink)

James McGrath's contribution to the proceedings of the first global conference of the Cyberworlds, Virtual Reality project, which took place from Monday 11 August - Wednesday 13 August 2003, in Prague, as part of the At the Interface conference series.

A review of a recent publication by Raphael Lataster.

James McGrath's contribution to the forthcoming edition, Vocabulary for the Study of Religion.

While most scholarship in religious studies focuses on the past and present, the study of what the future may hold in store for religion deserves attention. Studying the treatment of religious themes and characters in science fiction provides one way of accomplishing this objective. From the possibility of time travel to key events in the history of religion, to the possibility of acquiring godlike attributes by technological or other futuristic means, science fiction regularly touches on topics such as the nature (...) and universality of truth or the nature of personhood and of divinity in ways that can be deeply theological, even if the authors of the tales are not theologians or even religiously inclined. In stories about contact with extraterrestrial sentient life forms, sci-fi tales can explore questions about diversity in the values and ideas we hold, but on a much larger scale than that provided by our own planet. Yet these stories reflect the convictions and concerns human beings currently have about our ability to understand one another and our sometimes seemingly incommensurable commitments. Such stories provide natural conversation partners for present-day religious communities. The study of such literature and film provides insight into how major conceptual and ethical questions are being explored and wrestled with even today. (shrink)

In The Burial of Jesus: History and Faith, Dr. James F. McGrath seeks to introduce a general audience to the methods historians apply to the study of the life of Jesus. Topics addressed include: how historical study work ; why Jesus' disciples would have wanted to steal his body from the tomb; why later Gospel authors changed elements in Mark's earlier version; and why Christian faith in the resurrection cannot be about what happened to a body almost 2,000 years ago.

The movie The Matrix and its sequels draw explicitly on imagery from a number of sources, including in particular Buddhism, Christianity, and the writings of Jean Baudrillard. A perspective is offered on the perennial philosophical question ‘What is real?’, using language and symbols drawn from three seemingly incompatible world views. In doing so, these movies provide us with an insight into the way popular culture makes eclectic use of various streams of thought to fashion a new reality that is not (...) unrelated to, and yet is nonetheless distinct from, its religious and philosophical undercurrents and underpinnings. (shrink)